Within the 1999, inside the manage-doing the latest premiere from John Corigliano’s “Dylan Thomas Trilogy,” the brand new appeared son soprano educated a sad psychological knowledge: his voice got changed. Thus sixteen-year-dated countertenor Anthony Roth Costanzo is entitled into complete the new character. Costanzo was already an enthusiast, already always this new composer’s get to own “This new Purple Violin” and his awesome opera, “The latest Ghosts away from Versailles.” Nevertheless now these people were meeting in person, for the first time, in advance of a traveling prime that would capture him or her and also the National Symphony Orchestra to help you Kennedy Cardio and you may Carnegie Hallway.
The newest Washington Post discussed Costanzo “due to the fact eloquent and you will audio” however, noted new “audio is most likely most suitable to an effective children’s sound.” They demonstrably didn’t number – Costanzo became an effective lauded countertenor, that is winning because of the people reasonable metric. Most recently, he or she is enthused watchers on name part from Philip Glass’ “Akhnaten,” buoyed new morale of new Yorkers when you look at the COVID-19 pandemic shutdowns on Nyc Philharmonic’s Bandwagon pop-upwards series, and you will worked on epic Justin Vivian Bond on the cabaret-opera-magnificent “Just an enthusiastic Octave Apart.”